³ª Á¤¸» ¿µ¾î´É·ÂÀÚ ¾Æ´Ï°í...À̰͵µ ±×³É ±ÞÇؼ ³×À̹ö »çÀü ã¾Æ°¡¸é¼ °Ü¿ì
ÇÑ°Å´Ï±î ¾Æ¸¶ Àß ¾È¸ÂÀ»°Å¾ß
´É·ÂÀÚ°¡ ³ª¿Ã¶§±îÁ¤ ÀÏ´Ü ... ¿ì¸®³¢¸® ¸ÂÃ纸ÀÚ
¹ßÇؼ®½ÃÀÛ~~~~~~~~
¼ÅÂÁö´Â ´í½ºÆ˺¸À̹êµå·Î ½ÃÀÛÇϳª ÀÌ ±×·ìÀº °ð Á» ´õ ÇìºñÇÏ°í ¹«°Ô°¨ÀÖ´Â? °¡»ç¿Í À½¾ÇÀ¸·Î ÀüÇâÇÑ´Ù.
¼ÅÂÁö´Â ÀÌ ¹êµå¸¦ ±×¸¸µÐÈÄ Çѱ¹ÀÇ Áß¿äÇÑ ¾óÅͳÊƼºê ¶ôÄ¿°¡ µÈ´Ù.
1998³â ¼Ö·Îµ¥ºßÀÌÈÄ ½Ê³â°£ °Ü¿ì ¼¼ÀåÀÇ ¾Ù¹üÀ» ³½ °Í¿¡ ºñÇÏ¸é ²Ï ±¦ÂúÀº ¼º°ú´Ù.
¼ÅÂÁö´Â ¼Ö·Îµ¥ºß¾Ù¹üÀ» Æ÷ÇÔ °¢ ¾Ù¹ü´ç ·¯´×ŸÀÓÀÌ 30ºÐÁ¤µµÀÎ ¼¼ÀåÀÇ ¾Ù¹üÀ» ³Â´Ù.
±×·¸Áö¸¸ Áß¿äÇÑ°Ç ¾çÀÌ ¾Æ´Ï¶ó Ä÷¸®Æ¼ÀÌ´Ù.
¿Ö³ÄÇϸé 7Áý À̽´¶ó´Â ¾Ù¹üÀº ²Ï Àß ¸¸µé¾îÁø ¸ð´ú ¶ô ¸ÞÅ»¾Ù¹üÀ̱⶧¹®ÀÌ´Ù.
¼ÅÂÁö´Â ±×°¡ ¹ÞÀº ¿µÇâÀ» °¨Ãß·ÁµéÁö ¾Ê´Â´Ù.
7Áý À½¾ÇÀº Sevendust/Godsmack ·ùÀÇ ¹Ì±¹ ¸ÞÅ»ÄÚ¾îÀÌ´Ù.
¼ÅÂÁö´Â ÀÌ »ç¿îµå¿¡ (²Ï ÁøºÎÇÏ´Ù°í ÀÎÁ¤ÇÒ ¼ö ¹Û¿¡ ¾ø´Â) Èï¹Ì·Î¿î ¾÷±×·¹À̵带 ´õÇÑ´Ù.
ÄÜÀÌ Ã³À½¿¡ A·Î ¶³¾îÆ®¸°ÀÌÈÄ·Î ´º¸ÞÅ»À̳ª ¾óÅͳÊƼºê ¸ÞÅ»·Î ¹Ù²ð ¼ö ¾øÀ» °Í °°¾Ò´Ü °øÆ÷,µÎ·Á¿ò
(¾Æ¸¶ »ç¿îµå ¾ê±â?)À» Á¦°ÅÇÏ°í ´ë½Å ¼ÅÂÁö´Â »ó´çÇÑ ·Î¸Çƽ ¸á·Îµð¸¦ Áý¾î³Ö´Â´Ù.
ºñ·Ï ÀÌ°ÍÀÌ »ó¾÷Àû ÆǸŸ¦ °í·ÁÇÏÁö ¾ÊÀº °ÍÀ̶óÇÒÁö¶óµµ.
ÀÌ°ÍÀº Æí¾ÈÇÑ ¹ÚÀÚÀÇ À̾îÁüÀ¸·Î Èê·¯°¡´Â ¹àÀº ºÐÀ§±âÀÇ Å« ±âŸ°¡ Ư¡ÀÎ JESU¸¦ ¿¬»ó½ÃŲ´Ù.
¼ÅÂÁö´Â JUSTIN BROADRICKÀº ¾Æ´Ï¸ç 7ÁýÀº ¿ÀÈ÷·Á PROTO-JESU¿¡ °¡±õ´Ù.
´Ü ±×ÀÇ À½¾Ç¿£ JESUÀÇ ÃÖ¸éÀûÀÎ ¿õÀåÇÔ...?Áö·çÇÔ?Àº ¾ø´Ù.
ÇìÇÇ¿£µå°°Àº ÀϺΠƮ·¢Àº ±²ÀåÈ÷ ºü¸£´Ù. ´ëºÎºÐÀº ²Ï ´ÙÀ̳ª¹ÍÇÏ´Ù.
±×·¯³ª À§ÇùÀû(°ø°ÝÀû?)À̶ó±âº¸´Ù´Â ±àÁ¤ÀûÀÎ »ç¿îµåÀÇ ¸ÞÅ»ÀÌ´Ù.
¸¸¾à À̰ɷεµ ÃæºÐÇÏÁö ¾Ê´Ù¸é 7ÁýÀ» Áñ°Ü¾ßÇÒ ¶Ç ´Ù¸¥ÀÌÀ¯°¡ ÀÖ´Ù.
±×°ÍÀº ¼öÁسôÀº ÀÛ°îÀÌ´Ù.
ÀÌ ¾Ù¹üÀº ²Ï ÈǸ¢ÇÑ Â¥ÀÓ»õ¿Í Æí°îÀ¸·Î °¡µæÂ÷ÀÖ´Ù. .........
µÎ¾îÁÙ Àß ¸ð¸£°Ú´Ù. ±× µÚ¿¡ Áß¿äÇÑ ¸» ³ª¿Í
·¯´×ŸÀÓÀÌ Âª´Ù´Â °ÍÀÌ 7Áý¾Ù¹ü¿¡ ¾Ç¿µÇâÀ» ÁÙ°Ç ¾ø´Ù. ¹®Á¦µÉ°Ç ¾ø´Ù.
¼ÅÂÁö´Â Á¦ÀÓ½º Á¶À̽ºÀÇ ¶ôÄË·Ñó·³ ¼öÁسôÀº RIFFSµéÀ» ÀÚÀ¯·ÎÀÌ ÁúÁÖÇϸç
±×°ÍµéÀº Áö³ªÄ£°Íº¸´Ù´Â ¾à°£ ¸ðÀÚ¶õ °ÍÀÌ ¹Ì´öÀ̶ó´Â ÁÁÀº ¿¹½Ã¸¦ ´øÁ®ÁØ
¾Ù¹ü¿¡ ²Ë ä¿ö³Ö¾ú±â ¶§¹®ÀÌ´Ù...
ÀÌ»ó ¹ß¹ø¿ª -_-
¿ø¹®~~~~~~~~~~~
Seo Tai-Ji began his career in a dance-pop boy band, but soon steered the group towards more heavyweight lyrical and musical matters, and after leaving his band he became South Korea's main alternative rocker. That's an especially neat achievement, considering that he's nowhere near prolific — in the decade since his solo debut in 1998, Seo Tai-Ji released only three records (counting the debut), each lasting only about half an hour. However, this is a case of quality over quantity, because 7th Issue is a very well-done piece of modern rock/metal. Seo Tai-Ji doesn't attempt to hide his influences — the music is indebted to American metalcore of the Sevendust/Godsmack kind. But Seo Tai-Ji adds an interesting upgrade to this — admittedly pretty stale —
sound by shedding all the angst that seemed irreplaceable to nu metal and alt metal since Korn first tuned to dropped A. Instead, he throws in a good amount of romantic melodies, although this move isn't a commercially conscious sellout — the result rather reminds of Jesu, with the same big guitars that create a sunny mood, plodding ahead at a steady relaxed tempo. Seo Tai-Ji isn't really Justin Broadrick, and 7th Issue is more of a proto-Jesu, without this band's hypnotizing, majestic drone: some of the tracks are still fast ("Hefty End"), and most are too dynamic. But it's still the kind of metal that sounds positive rather than menacing. If that's not enough, there's another reason to enjoy 7th Issue as well: the quality of songwriting. The album is full of smart textures and arrangements, right up to tiny Aphex Twin breaks ("DB") that sound so natural they're hard to spot at first, and, while there are no instant hits here, a couple of listens will reveal all the small hooks to sing in. Even the short duration doesn't work against 7th Issue, because Seo Tai-Ji can free flow quality riffs like a rock & roll James Joyce, and he packs them tight enough to make the record a good example of the "less is more" adage at work.
|
|